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Gallery Szaal

Martin Praska

born 1963, Wiesloch bei Heidelberg
German-Austrian painter Martin Praska studied at the Academy of Fine Arts in Vienna from 1985 to 1990, graduating with honours as a masterclass student of Rudolf Hausner and Arik Brauer. During his degree, in 1986, he won the silver medal in the prestigious Füger Prize. The 1990s saw him take part in many painting symposiums as well as spending time abroad, including in Český Krumlov and London. In 1995, he became a member of the Linz-based artists’ union MAERZ, and in 1999 co-founded the artists’ group Die halbe Wahrheit (Half the Truth). From 2002 to 2004, Praska was chairman of the Union of Fine Artists in Austria. In 2008, he co-founded another artists’ group, k2 United Painters.

Over the past few years, his works have made their way into important private and public collections across Austria (including the Albertina in Vienna, the Essl Museum in Klosterneuburg, the Museum der Moderne in Salzburg, the Lentos Museum in Linz and the Angerlehner Museum in Wels) and have been exhibited at European art fairs (WIKAM, Art Austria Vienna, Art Frankfurt, FIAC Paris, Art Fair Zurich). Along with other international painters, he presented his works in the European Cultural Centre (Palazzo Mora) at the 58th Venice Biennale, which was followed by an exhibition in the Angerlehner Museum, Thalheim bei Wels, in 2020. Alongside his work as a freelance artist, Praska lectures at the Academy of Art in Bad Reichenhall.
Women have always been a key subject for Martin Praska, even in his expressive works of the 1990s. They continue to be a focal point of his paintings, in which he plays with clichés and polarities to reimagine changing roles and positions, and to take a largely critical, if slightly ironic, view of society.

In his work, Praska mixes realism with abstraction and has made breaking with established styles his own personal signature. He consciously draws on the iconography of pop art, the spontaneity of Fluxus, the expressive power of Expressionism and references to the Old Masters, which he reproduces with the finest brushstrokes and an almost photorealistic technique. Using many different stylistic elements within one picture becomes a kind of balancing act at which Praska has proved to be extremely adept. None of its elements are superfluous or merely decorative; each is a narrative component of a particular story. Praska’s ironic, illusionistic way of working has gradually developed into an unmistakeable “trademark”. His painted stories captivate their viewers with visual sensuality. In making vastly different styles dovetail on the canvas, Praska has ensured himself a prominent, singular position in the Austrian art scene and beyond. Speaking of his own mixed-style works, he says: “It’s fine to find them funny, just don’t make the mistake of taking them seriously.”

Schiele Popped Up X

A Note, A Two, A Cap

Indigenous Summer

Acrylic and oil on sailcloth
. verso signed, inscribed and dated 2022
100 x 120 cm
Acrylic and oil on sailcloth
. verso signed, inscribed and dated November 2021
100 x 120 cm
Acrylic and oil on sailcloth
. verso signed, inscribed and dated 2024
70 x 60 cm

Wisps

Venus Vegan

Acrylic and oil on sailcloth
. verso signed, inscribed and dated 2024
70 x 60 cm
Oil / acrylic on canvas
verso signed, inscribed and dated 2021
120 x 100 cm

Schiele Popped Up X

Acrylic and oil on sailcloth
. verso signed, inscribed and dated 2022
100 x 120 cm

A Note, A Two, A Cap

Acrylic and oil on sailcloth
. verso signed, inscribed and dated November 2021
100 x 120 cm

Indigenous Summer

Acrylic and oil on sailcloth
. verso signed, inscribed and dated 2024
70 x 60 cm

Wisps

Acrylic and oil on sailcloth
. verso signed, inscribed and dated 2024
70 x 60 cm

Venus Vegan

Oil / acrylic on canvas
verso signed, inscribed and dated 2021
120 x 100 cm

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